THEATER AND CINEMATOGRAPHIC SCENOGRAPHY

  • ScenographyThe game of time: traveling with Ulysses” Rosa Mundi’s armillary spheres – Medusa, Rosone, Point de Vue, Condition of humanity – were used for the scenography of the musical “The game of time” at the Summer Catania Festival at Villa Bellini, in the carriage park, in front of an audience of over 2,000 people in October 2020.

  • Scénografie du musical “Les questions de Juda” a Tindari, Selinunte, Marsala, Palermo, Messina e Amelia.The work of Rosa Mundi the box and a huge artistic installation called “the key of the last supper” were the works of art that were used as the scenography of the musical “JUDAS THE GUESS” with the theater company of the Esoscheletri and the Direction of Sasà Neri in the magical atmosphere of the stone theaters, namely the Archaeological Park of Selinunte with its temples in 2018, the Archaeological Park of Tindari with its theater facing the sea with the Aeolian Islands in the distance, the Archaeological Park of Lilibeo inside the museum of the Punic ship in 2019, and the Regio Teatro Santa Cecilia theaters in Palermo, the Municipal Theater of Messina and the ‘700 Theater of Amelia.
  • Rosa Mundi The GRAPHOMANE performance art | Biennale del Sale Guest Artist
    The graphomane ἰδὲ γὰρ ἀνθρώπους οἷον ἐν καταγείῳ οἰκήσει σπηλαιώδει, ἀναπεπταμένην πρὸς τὸ φῶς τὴν εἴσοδον ἐχούσῃ μακρὰν παρὰ πᾶν τὸ σπήλαιον, ἐν ταύτῃ ἐκ παίδων ὄντας ἐν δεσμοῖς καὶ τὰ σκέλη καὶ τοὺς αὐχένας, ὥστε μένειν τε αὐτοὺς εἴς τε τὸ πρόσθεν μόνον ὁρᾶν, κύκλῳ δὲ τὰς κεφαλὰς ὑπὸ τοῦ δεσμοῦ ἀδυνάτους περιάγειν, φῶς δὲ αὐτοῖς πυρὸς ἄνωθεν καὶ πόρρωθεν καόμενον ὄπισθεν αὐτῶν, μεταξὺ δὲ τοῦ πυρὸς καὶ τῶν δεσμωτῶν ἐπάνω ὁδόν, παρ ἣν ἰδὲ τειχίον παρῳκοδομημένον, ὥσπερ τοῖς θαυματοποιοῖς πρὸ τῶν ἀνθρώπων πρόκειται τὰ παραφράγματα, ὑπὲρ ὧν τὰ θαύματα δεικνύασιν (The Republic of Plato VII 514 a – b) Biennial of Salt | Pietralia Soprana – Sicily 2017 Screenplay and Choreography | Rosa Mundi

Screenplay and choreography | Rosa mundi. The show tells the story of four prisoners tied one by one so that they cannot turn around while sitting on the ground deep in a cave. Outside the cave, there is a world in motion and voices. Music composed by Mario Bajardi in the background. The echo and the roar of the world penetrate the cave, altering human perception. Behind them, behind the cave wall, there is an intense fire, a real and imaginary projection of the prisoners generated by their shadows united with the real world. One of the prisoners constantly writes letters in a notebook and gradually creaks and throws them on the ground The texts of the letters are in French and are taken from the novel by the Belgian psychotherapist Sophie Buyse, published in 1995 by L’Ether Vague Patrice Thierry The well-known psychotherapist has wrote the many letters that make up his novel during a scientific internship that led in 1990 to the walls of the island of San Clemente in Venice, now transformed into a luxury hotel.

The four prisoners embody the genres of being attributable to the work of Plato, in pairs, that is, to the sensitive and the intelligible.